Director, MA Arts Enterprise and Development
Tel: +44 (0)24 765 23459
Email: J dot P dot Vickery at warwick dot ac dot uk
University of Warwick
Coventry CV4 7HS
My central research interest is in the politics and organisation of public culture -- policies, institutions, spaces and places, development and democracy. I have a practical interest in this, whereby I have chaired, advised or sat on a variety of committees for projects and organisations. I also have an interest in the globalisation of Western policy norms, and follow UN level policy discourse as well as the EU's increasing interest in external cultural relations.
With Rajnaara Akhtar, I am now co-Editor in Chief of The Journal of Law, Social Justice and Global Development. I have reviewed for many journals and funding bodies, including the British Council, AHRC (Peer Review College member, 2009-16; ESCR College member, 2016--), and European Commission, and am currently External Examiner for Kings College London. I have organised many conference streams, public seminars and international conferences as a scientific committee member (Paris, Krakow, Copenhagen, Bled). With Justin O'Connor, I co-directed the Shanghai City Lab project (2013-15); I was Chair of The Art of Management and Organization for three years; I was advisor to, and now chair, the capital development project for the Albany Theatre (Coventry), establishing, among other things, a model research facility for independent arts organisations. In Coventry, I am on the management committee of the Spon Spun Festival. I have been a visiting scholar at Poznan, Belgrade and Hildesheim, with whom I still collaborate.
For my CV and more detail, see my LinkedIn page: https://www.linkedin.com/in/jonathan-vickery-ba-ma-phd-5244bb11/
My areas of specialisation are:
I have secondary interests and experience in:
I write articles and book chapters for a range of publications -- mostly for international constituencies invested in public culture. For example, I have recently (with Tom Fleming) written a contribution to the next UNCTAD Creative Economy Report. I have also written a chapter for the book Cultural Diplomacy and International Cultural Cooperation (Dragićević Šešić, ed.) to be published in 2017 by the Serbia Ministry of Culture Belgrade. Apart from this, I maintain three current research projects:
1: Cultural Politics and Development research: As Co-Editor in Chief of The Journal of Law, Social Justice and Global Development. This journal was established 16 years ago, but I am now (with Rajnaara Akhtar) leading a complete re-brand, re-launch and period of academic development (until 2019). This is funded by the Warwick Global Research Priority on International Development.
2: Cultural and Creative Spillover research: As a founding research partner of the European Partnership on Cultural and Creative Spillovers. Established in 2013, the partnership has published several reports, lobbied MEPs in the European Parliament, and commissioned two rounds of research (from a range of consultancies and academic research groups). We are now entering a third stage, for which I am designing a funded project on Spillover policies and models in and beyond the cultural borders of the EU. This project is funded by the project's 'funding partners', european centre for creative economy (Dortmund), European Cultural Foundation, Arts Council England, Arts Council Ireland and others).
3: Public pedagogy and research intervention: This research project is interactive and based on a summer module whereby I direct students in community engagement and a cultural event. Called 'Urban Cultural Intermediaries: students and the city', we are undertaking research on the political, legal and social conditions of student's involvement in urban culture, and how the city might develop ways of integrating its huge student population in the creative economy. This is funded by IATL (Warwick's Institute for Advanced Teaching and Learning).
My research and teaching are symbiotic, and my investment in teaching is in part motivated by the belief that for scholars, pedagogy is a public duty. My annual teaching routine is always characterised by innovation and public events. Altogether, I have founded three international masters degrees, written 21 course modules (8 undergraduate and 13 postgraduate) supervised over a 120 MA dissertations since 2006, and organised many placements, public seminars and student public cultural events. I take an active and interactive approach to teaching, using project frameworks, business simulation, online forum and social media as well as case studies. My new MA in Arts, Enterprise and Development looks at the uses of arts and creative enterprises in Development (International Development and local cultural, community and urban development). The relation between theory and practice is often a contradictory or tense one, and I want students to experience this, and realize that solutions or approaches to problems are not pre-given but have to be improvised, innovated and negotiated.
I have recently supervised a number of successful PhD projects, and will currently take students in many areas of cultural policy studies -- creative industries; urban culture and cities; public culture and art institutions; cultural development and local community; artists, enterprise, intervention and cultural dissent; global development and creative economy; culture and global sustainability; cultural rights, freedom and democracy.
Examples of recent successful PhD's:
Jiyun Yoo, 'Postmodernism, marketing and the consumption of live pop music in South Korea' (co-supervised with David Wright). 2014.
Junmin Song, 'Creative Cities and Creative Placemaking'. 2015.
Rob O'Toole, 'Design Thinking in Creative HE Pedagogy'. 2015.
Tomi Oladepo, 'The Digital Public Sphere and Democracy in Africa'. 2015.
Gabrielle Ferdinand, 'Brand Communication and the symbolic economy of the Caribbean Creative Industries' (co-supervised with David Wright). 2016.
I am currently supervising:
Dace Demir, 'Cultural Policy and the Institutionalisation of Contemporary Art in Latvia'.
Nick Chen, 'Creative Economy and Sustainable Development in Contemporary China'.
Phitchakan Chuangchai, 'Creative Cities in the S.E. ASEAN region'.
(with Justin O'Connor) Michael Kho Lim (Warwick-Monash Aliance scholar), 'Indie Film making and Distribution in the Filipino Cultural Economy'.